To care about time means comprehending the temporality of caring. Continue reading
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Tag Archives: Stockroom Gallery
Essays on Curating: Soft and Hard Approaches
There are a whole variety of ways to think about curating, of approaches and styles and methods and processes. Over a series of essays I will look at ways in which to consider curatorial practice, driven by my own experiences as a curator and consumer of exhibitions, as well as self-directed research into the field. … Continue reading
Ross Taylor, October 2015
Ross Taylor, Twice the first time Stockroom Gallery; 10 October – 27 November A scratchy and fractured psychedelia runs across an even-tempered array of petri-dish experiments in Twice the first time by Ross Taylor. Consisting of two sub-suites of pencil drawings in classical genres – landscape and still-life – this exhibition of pencil drawings blends historical references, contemporary documentation and improvisation. It is with an even-hand … Continue reading
Jason Waterhouse, Oct 2013
Jason Waterhouse, Sticks and Bones Stockroom Gallery, Kyneton; 31 August – 5 October 2013 Growth is a complementary colour to decay. If fallen twigs could utter last words, they would be thought bubbles of coloured resin. If the skeletal remains of the hunted and the farmed were allowed to decompose in polluted atmospheres, they would … Continue reading
Interview with Jason Waterhouse, Sept 2013
Jason Waterhouse Interviewed in the lead-up to his solo exhibition ‘Sticks and Bones’, at Stockroom Gallery in Kyneton Jason Waterhouse has been running a gallery for over 3 years with his partner Magali Gentric. They’ve both passionately represented the work of contemporary Australian artists and against all odds in the recent economic climate they’ve been … Continue reading
Nicholas Jones, Sept 2013
Nicholas Jones, To the islands Stockroom Gallery, Kyneton; 12 September – 6 October 2013 Nicholas Jones is a surgeon of sorts, slicing open bodies to reveal a topography of language – literal and symbolic. ‘To the islands’ is a beautifully crisp show, with a series of 12 modified books presented as specimens of art, craft … Continue reading
Cameron Robbins, Sept 2013
Cameron Robbins, Loggerheads Stockroom Gallery, Kyneton; 12 September – 6 October 2013 On a battlefield of white paper, the intent to mark squares off against nihilistic erasure. The background machinations of process are manifest as historical constructions feeding a line of driving desire. Cameron Robbins constructs systems that are at once sculptural outcomes – beautifully … Continue reading
