Exhibition Essay, Robbie Rowlands, Sept 2013
_EXHIBITION ESSAYS

Exhibition Essay, Robbie Rowlands, Sept 2013

Robbie Rowlands, ‘The fountain be still’ Drawing Room, Rio Vista House – Mildura Arts Centre; 19 September to 10 November, 2013 Life is not lived in linear sequence but in harmonic echoes and repeated refrains. Reaching across the expanse of time and place, our memories mingle ephemeral recollections with material presence. The objects that surround … Continue reading

‘Please allow me to introduce myself’, Sept 2013
_REVIEWS

‘Please allow me to introduce myself’, Sept 2013

‘Please allow me to introduce myself’ Liam Benson, Gregory Elms, Juan Ford, Anne Marie Graham, Joan Ross, Natalie Ryan Strange Neighbour Gallery, Fitzroy; 23 August – 21 September 2013 Curated with the precision afforded a well appointed garden, ‘Please allow me to introduce myself’ is a tightly choreographed collection of art specimens. The title itself … Continue reading

Michael Vale, Sept 2013
_REVIEWS

Michael Vale, Sept 2013

Michael Vale, The Conquest of Space Five Walls Projects, Footscray; 4 September – 28 September 2013 Under acrid skies of orange, mauve and green, a population of carnivalesque characters launch rockets into the stratosphere. Alchemical experiments light the dusky evenings as their smoky entrails waft across a soupy atmosphere of fading hope. Scientists shield their … Continue reading

Interview with Jason Waterhouse, Sept 2013
_INTERVIEWS

Interview with Jason Waterhouse, Sept 2013

Jason Waterhouse Interviewed in the lead-up to his solo exhibition ‘Sticks and Bones’, at Stockroom Gallery in Kyneton Jason Waterhouse has been running a gallery for over 3 years with his partner Magali Gentric. They’ve both passionately represented the work of contemporary Australian artists and against all odds in the recent economic climate they’ve been … Continue reading

Cameron Robbins, Sept 2013
_REVIEWS

Cameron Robbins, Sept 2013

Cameron Robbins, Loggerheads Stockroom Gallery, Kyneton; 12 September – 6 October 2013 On a battlefield of white paper, the intent to mark squares off against nihilistic erasure. The background machinations of process are manifest as historical constructions feeding a line of driving desire. Cameron Robbins constructs systems that are at once sculptural outcomes – beautifully … Continue reading